Call for Papers: ICSR + Art 2026 in London

The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from July 1–4, 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. For its 18th edition, the conference will feature the special theme ICSR + Art, exploring how robots can transcend their traditional roles to become tools and collaborators in creative practices. At the same time, the conference remains fully open to the entire spectrum of social robotics research, including human–robot interaction, medical and assistive robotics, AI and machine learning, ethics, design, education, cultural applications, and beyond. Accepted papers will be published in Springer’s Lecture Notes in Artificial Intelligence (LNAI) series and indexed in major databases. In addition to regular and short papers, the program will include workshops and special sessions designed to foster exchange across disciplines and communities. Paper submissions are due by February 15, 2026, with notifications on April 15, 2026, and camera-ready papers due May 15, 2026. Proposals for workshops and special sessions are welcome until December 1, 2025. Further information is available at icsr2026.uk.

Fig.: View of London from the London Eye

Tender Digitality

The book „Tender Digitality“, edited by Charlotte Axelsson from the Zurich University of the Arts, will be published in early February 2024. From the publisher’s website: „Tender Digitality introduces an aesthetically oriented concept that intricately intertwines binary systems in a complex manner, setting them in motion. The concept responds to the human desire for sensuality, interpersonal connection, intuition, and well-being in digital environments. It explores ways to (re)transmit these experiences into the analog world of a book, developing its own distinct vocabularies. Readers are guided through the various perspectives of this kaleidoscope, encouraging them to delve into different play-forms of ‚tender digitality‘ and develop their own approach. Assuming the role of researchers, they discover phenomena of extraordinary beauty or bizarreness within the spectrum spanning analogue and digital, social, and technological domains. Through exploration, learning, and the cultivation of ‚tender digitality,‘ readers can envision their own version of a community where individuals and artificial intelligences, avatars and cyborgs, humans and computers navigate digital landscapes with agency, intuition, and sensitivity.“ (Website Slanted) Contributors include Charlotte Axelsson, Oliver Bendel, Dana Blume, Marisa Burn, Alexander Damianisch, Léa Ermuth, Hannah Eßler, Barbara Getto, Leoni Hof, Marcial Koch, Mela Kocher, Friederike Lampert, Gunter Lösel, Francis Müller, Marie-France Rafael, Oliver Ruf, Sascha Schneider, and Grit Wolany. More information at www.slanted.de/product/tender-digitality/.

Fig.: A dance scene at the Zurich University of the Arts (Photo: © ZHdK)