When Social Robots Become Monsters

The 18th International Conference on Social Robotics (ICSR + Art 2026) is currently taking place from July 1–4, 2026, bringing together researchers, academics, and industry professionals from around the world to discuss the latest advances in social robotics. As the leading international forum in the field, ICSR features a broad range of presentations and demonstrations. On the first day of the conference, the ICSR Grand Challenge presentations, including optional demonstrations, took place in the Debate Hall. One of the standout projects was Labububot, presented by Miranda Li and developed by Miranda Li, Jake Read, Dimitar Dimitrov, and Cynthia Breazeal at the Massachusetts Institute of Technology. Instead of following the familiar approach of designing social robots to be cute, friendly, and emotionally unambiguous, Labububot embraces monster theory and deliberately explores the productive potential of the uncanny. The project argues that robots capable of provoking curiosity, discomfort, or surprise may ultimately foster deeper and more authentic long-term engagement than those designed solely to reassure. From the perspective of Oliver Bendel’s robot classification, Labububot can be regarded as a mythomorphic robot. It consists of twelve monster figures and also belongs to the category of soft robots, although it incorporates rigid structural elements. By combining unconventional design with references to popular culture and fashion, Labububot has become one of the most memorable projects presented during the Grand Challenge on the opening day of ICSR + Art 2026. Further information about the conference is available at ICSR 2026, while technical details about Labububot can be found in the project’s GitHub repository.

Fig.: Oliver Bendel with Labububot (Photo: Stephan Vonschallen)

This was the ICSR 2024 in Odense, Denmark

ICSR is one of the leading conferences for social robotics worldwide. The 17th edition will take place from 10 to 12 September 2025 in Naples, Italy. Participants will meet for two days at the Parthenope University of Naples and for the third day at the Città della Scienza conference center. In 2024, the conference took place in Odense, Denmark. A video on YouTube by Hooman Samani provides insights into the presentations and events: www.youtube.com/watch?v=Xj6p2yguYBk … It not only shows that numerous top-class presentations take place, but also that the members of the community are highly motivated and have a lot of fun. The high level of internationality and diversity of the conference should also be emphasized. The conference website of ICSR 2025 is online since January: icsr2025.eu.

Fig.: The conference center Odeon in Odense

Der Kontext des Uncanny-Valley-Effekts

Der Uncanny-Valley-Effekt ist eine berühmte Hypothese. Es ist bis heute unklar, ob er vom Kontext beeinflusst werden kann. Katharina Kühne hat mit ihren Mitautoren Oliver Bendel, Yuefang Zue und Martin Fischer in einem Onlineexperiment eine negative lineare Beziehung zwischen der Menschenähnlichkeit eines Roboters und seiner Sympathie und Vertrauenswürdigkeit gefunden, zugleich eine positive lineare Beziehung zwischen der Menschenähnlichkeit eines Roboters und seiner Unheimlichkeit. „Social context priming improved overall likability and trust of robots but did not modulate the Uncanny Valley effect.“ (Abstract) Die Schlussfolgerungen wird Katharina Kühne in ihrer Präsentation „Social, but Still Uncanny“ – so auch der Titel des Papers – bei der International Conference on Social Robotics 2024 in Odense (Dänemark) ziehen. Die Doktorandin forscht wie Yuefang Zue und Martin Fischer (Erstbetreuer) an der Universität Potsdam. Oliver Bendel (Zweitbetreuer) lehrt und forscht an der Hochschule für Wirtschaft FHNW. Er ist zusammen mit Tamara Siegmann mit einem zweiten Paper bei der ICSR vertreten.

Abb.: Letztes Jahr fand die ICSR in Doha statt