Die General Chairs der ICSR + Art 2026 vom 1. bis 4. Juli in London waren Hooman Samani und Saina Akhond, beide von der University of the Arts London, mit John-John Cabibihan, Qatar University, als General Co-Chair. Oliver Bendel hatte unterschiedliche Funktionen inne. In der einjährigen Zeit der Vorbereitung fungierte er als Publicity Chair. Er verfasste Basistexte zu wichtigen Ereignissen, die dann als Posts in seinen Blogs verwendet und vom Social Media Chair, Nihan Karataş, zu geeigneten Texten für die sozialen Medien transformiert wurden. Bei der Session 18 mit dem Titel „Identity, Narratives & Power“ am dritten Tag war er Chair zusammen mit Neziha Akalin. Bei der Design Grand Challenge und der Art Grand Challenge war er Mitglied der Jury, zusammen mit Pramidan Caleb-Solly, Alessandra Sorrentino, Sarah Shelby und Heather Knight. Als Wissenschaftler stellte er sein Paper „Kiss Me More: Artificial Lips for Intimate Encounters“ vor und war Drittautor des Papers „Reading Between the Laughs: A Human-Referenced Audio Evaluation of MLLMs for Social Robotics“ seines Data-Science-Studenten Sahan Hatemo und seiner ehemaligen Doktorandin Katharina Kühne. Ein Booklet der führenden Konferenz zur Sozialen Robotik verzeichnet alle Engagements, Events und Talks. Bei der ICSR + Art 2027 in Potsdam ist Oliver Bendel General Chair neben Katharina Kühne und Ilona Buchem.
Hosting ICSR + AI 2025 at the University of Naples Parthenope’s campus in the Centro Direzionale and ICSR + Art 2026 at London’s Senate House offers an intriguing architectural juxtaposition. The Parthenope building reflects the late twentieth century’s fascination with technology, functionality, and verticality. Its exposed structural elements, metallic cladding, and dramatic symmetry embody the modernist vision of Naples‘ business district, creating an atmosphere that is distinctly contemporary and forward-looking. In contrast, Senate House, completed in 1937, is one of London’s finest examples of Art Deco monumentalism. Designed by Charles Holden, its clean limestone façades, carefully proportioned massing, and restrained ornament express dignity, permanence, and institutional authority. While both buildings share a striking vertical emphasis and a commanding presence within their respective urban settings, they represent different architectural ideals. The Parthenope campus celebrates innovation and technological expression, whereas Senate House conveys intellectual tradition through timeless geometric order and classical monumentality interpreted in a modern idiom. Although the conference venues were, of course, chosen because they are university buildings rather than for their architectural symbolism, it is nevertheless an appealing coincidence that the futuristic setting of ICSR + AI 2025 is followed by the artistic and historic character of Senate House for ICSR + Art 2026. Together, the two venues provide memorable settings for consecutive ICSR conferences, illustrating how academic exchange can unfold in environments that reflect very different architectural visions.
After four inspiring days, the 18th International Conference on Social Robotics (ICSR + Art 2026) came to a close in London. Hosted at Senate House, part of the University of London in the heart of the city, the conference found a venue that proved to be far more than just a location. In retrospect, the building itself became one of the defining features of the event – its brain, its heart, and its stomach from beginning to end. Each morning, the distinctive silhouette of Senate House served as the landmark, guiding participants as they arrived. Throughout the day, the benches in the square outside became a place to relax between sessions, continue conversations, or simply enjoy a quiet moment in the middle of a busy conference schedule. Inside, every hall contributed its own unique atmosphere. The magnificent Crush Hall, with its grand staircase flanked by the ICSR banners, welcomed attendees and provided the setting for the artistic performances. The spacious Beveridge Hall hosted the main tracks, while the Chancellor’s Hall was home to the special sessions. The McMillan Hall became the social hub during coffee breaks and meals, where scientific discussions blended naturally with informal conversations. Finally, there was the Debate Hall, also known as the Senate Room, whose walls seemed to echo the spirit of past debates, disagreements, and reconciliations. This time, it witnessed encounters not only between people, but also between people and robots. For many visitors, the building was also familiar from popular culture. Senate House has appeared in several major productions, including „Batman Begins“, „The Dark Knight Rises“, „Fast & Furious 6“, „No Time to Die“, and „The Crown“, and is said to have inspired George Orwell’s depiction of the Ministry of Truth in „Nineteen Eighty-Four“. During ICSR + Art 2026, however, it became something different: a living space for science, art, and human interaction – and an unforgettable part of the conference itself.
Fig.: Jana Figge and Oliver Bendel in front of Senate House (Photo: Hooman Samani)
The 18th International Conference on Social Robotics (ICSR + Art 2026) took place from July 1–4, 2026, bringing together researchers, academics, and industry professionals from around the world to discuss the latest advances in social robotics. On the opening day, the ICSR Grand Challenge presentations, including optional demonstrations, took place in the Debate Hall. One of the standout projects was Labububot, presented by Miranda Li and developed by Miranda Li, Jake Read, Dimitar Dimitrov, and Cynthia Breazeal at the Massachusetts Institute of Technology. According to the MIT Media Lab, „This is Labububot — one of the rarest monsters on Earth. Twelve Labubu heads are reconstituted into a single spherical form: a Frankenstein’s Monster of pop culture iconography. Labububot is a playful critique of social robots, and a question made physical – what do the monsters we make reveal about the monsters we are?“ … Instead of following the familiar approach of designing social robots to be cute, friendly, and emotionally unambiguous, Labububot deliberately embraces monster theory and explores the productive potential of the uncanny. From the perspective of Oliver Bendel’s robot classification, Labububot can be regarded as a mythomorphic robot. It consists of twelve monster figures and also belongs to the category of soft robots, although it incorporates rigid structural elements. By combining unconventional design with references to popular culture and fashion, Labububot became one of the most memorable projects presented during the Grand Challenge. Rumor has it that the idea for the spherical monster emerged after its creators had enjoyed a few drinks too many, although this anecdote is best taken as part of the project’s growing mythology rather than established fact.
The 18th International Conference on Social Robotics (ICSR + Art 2026) took place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to explore the latest advances in social robotics. As in previous years, the conference featured an extensive and impressive exhibition showcasing a wide range of social robots and related technologies. In addition to the official exhibits, some attendees and guests brought their own robots to demonstrate and discuss with other participants. Among the robots on display were Furhat, Euclid, Ameca, LOVOT, Qoobo, and Mirumi, illustrating the remarkable diversity of current approaches to social robotics. One of the most distinctive robots at the exhibition was Qoobo, a therapeutic robot by Yukai Engineering designed as a soft cushion with a lifelike tail. Instead of using facial expressions, speech, or a display, Qoobo communicates entirely through subtle tail movements. When gently stroked, the tail waves softly; when rubbed, it swings playfully, and from time to time it wags spontaneously as if greeting its owner. With its soft fur, comfortable size, and realistic movements inspired by animal behavior, Qoobo is designed to provide a calming and emotionally comforting experience. Studies presented by its developers have shown that interacting with Qoobo can help reduce stress and encourage communication, particularly in elderly care settings, making it an innovative example of how simple, non-verbal interaction can foster emotional well-being. With Mirumi, Yukai Engineering is expanding its classic lineup with another robot that is sure to win over women in particular.
The 18th International Conference on Social Robotics (ICSR + Art 2026) took place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to explore the latest advances in social robotics. Hosted by Hooman Samani and Saina Akhond from the University of the Arts London, the conference welcomed around 350 participants who presented their latest research in the main track and special sessions while engaging in lively discussions with both humans and robots in the Debate Room. Teams also competed in the Grand Challenge, showcasing innovative concepts and working prototypes that demonstrated the future potential of social robotics. A series of inspiring keynote presentations explored emerging technologies as well as important methodological questions shaping the field, while robot performances and a memorable robot dance featuring Silke Grabinger added an artistic dimension to the event. Throughout the conference, attendees had the opportunity to meet an impressive range of social robots, including Furhat, Ameca, Euclid, LOVOT, and Mirumi. Furhat and Ameca represented highly expressive humanoid platforms capable of remarkably lifelike interactions, while Euclid attracted particular attention as an open-source humanoid robot built for only a few hundred dollars, proving that affordable hardware can compete with well-known androids such as Sophia and Erika. In contrast, Lovot and Mirumi showcased the softer side of social robotics. Mirumi, a small furry wearable companion robot, charmed visitors with its ability to cling to the handle of a handbag using its tiny arms and is expected to appear soon in pop-up stores, particularly targeting girls and women. On the third evening, after a thought-provoking panel discussion and another series of robot performances, enthusiastic participants left the illuminated Senate House inspired by several days of groundbreaking research, creative collaboration, and a shared vision of how humans and robots will shape the future together. Further information is available at icsr2026.uk.
The 18th International Conference on Social Robotics (ICSR + Art 2026) is currently taking place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to explore the latest developments in social robotics. Among the highlights of the second conference day was a live demonstration of Euclid, an advanced humanoid robot developed by Dr. Carl Strathearn, Assistant Professor of Computer Science, and Emilia Sobolewska. Strathearn’s work focuses on developing autonomous humanoid robots powered by artificial intelligence that look, behave, and interact in ways that closely resemble humans. Creating lifelike humanoid robots is particularly valuable because the human face remains the most natural interface for communication, emotional expression, and learning. By replicating these familiar conditions, researchers can make AI technologies more intuitive and accessible for people from a wide range of backgrounds, ages, and abilities. Euclid embodies this vision as a fully autonomous social robot equipped with automatic speech recognition, computer vision, generative AI, skin sensors, and a unique robotic mouth that uses machine learning to generate realistic visemes for speech. The robot has been specifically designed for social and assistive interactions with older adults, where natural communication and trust are essential. What makes Euclid especially remarkable, however, is its appearance. While many well-known female humanoid robots, such as Sophia, Erika, and Harmony, feature smooth, almost flawless faces that reflect conventional beauty stereotypes, Euclid deliberately takes a different approach. The robot realistically portrays the deeply lined facial features and weathered skin of an older man. This design choice is both technically demanding and artistically sophisticated, demonstrating that age, character, and authenticity can be just as aesthetically compelling as youthful perfection. In doing so, Euclid challenges established conventions in humanoid robot design while presenting a more diverse and human-centered vision of social robotics. At the ICSR, scientists had the opportunity to talk with Euclid and ask him about his identity and charisma. Further information is available at icsr2026.uk.
Fig.: Oliver Bendel in conversation with Euclid (Photo: Nihan Karataş)
The 18th International Conference on Social Robotics (ICSR + Art 2026) is currently taking place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to explore the latest developments in social robotics. The conference serves as an international platform for exchanging ideas on how intelligent systems can better understand, interact with, and support people in everyday life. On the second day of the conference, Sahan Hatemo, a student at the FHNW School of Computer Science, presented the paper „Reading Between the Laughs: A Human-Referenced Audio Evaluation of MLLMs for Social Robotics“, co-authored with Dr. Katharina Kühne (University of Potsdam) and Prof. Dr. Oliver Bendel (FHNW School of Business). The study investigates whether today’s leading multimodal large language models (MLLMs) can distinguish authentic from non-authentic laughter using audio signals alone. As laughter is an important social cue, the ability to recognize its authenticity could significantly improve how robots and AI systems communicate with people in social settings. The researchers found notable differences in how the evaluated AI models interpreted laughter. OpenAI models showed a clear tendency to classify most laughter as genuine, while Gemini models were generally more skeptical in their assessments. Despite these contrasting biases, several models performed significantly better than chance, with Gemini 2.5 Pro achieving the strongest overall performance. A closer analysis also revealed qualitative differences in the models‘ decision-making. Less capable models appeared to rely on superficial acoustic features, such as pitch, and were more likely to classify higher-pitched laughter as less authentic. In contrast, the best-performing model seemed to focus on more sophisticated aspects of voice quality, indicating a deeper understanding of the characteristics that distinguish genuine from non-authentic laughter. The findings demonstrate the growing potential of multimodal AI for social robotics. As robots increasingly become part of everyday environments, the ability to accurately interpret subtle social signals such as laughter could play a crucial role in fostering trust, improving communication, and strengthening human-robot relationships. Further information is available at icsr2026.uk.
The 18th International Conference on Social Robotics (ICSR + Art 2026) is currently taking place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to discuss the latest advances in social robotics. One of the conference formats is a series of debates held in the Debate Hall of Senate House. On the second day, attendees had the opportunity to engage with Euclid, an android developed by Carl Strathearn and Emilia Sobolewska, as part of the session „Innovation Through Creation: The Case for Building Our Own Social Robots for HRI Research“. Euclid is a fully autonomous social robot equipped with automatic speech recognition, computer vision, generative AI, skin sensors, and a robotic mouth that uses machine learning to generate realistic visemes. Designed for social and assistive interactions with older adults, the android demonstrated how advances in artificial intelligence and robotics are enabling increasingly natural human-robot communication while providing a compelling platform for human-robot interaction research. Further information is available at icsr2026.uk and www.carlstrathearn.co.uk.
Fig.: Oliver Bendel and Euclid at ICSR + Art 2026 (Photo: Nihan Karataş)
The 18th International Conference on Social Robotics (ICSR + Art 2026) is currently taking place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to discuss the latest advances in social robotics. The evening program on the first day of the conference opened with the premiere performance of QUANTWIN by artist Silke Grabinger. The work explores the idea of twins, inspired by Grabinger’s own unborn twin sibling, through an immersive digital twin embodied in a soft robotic entity that interacts with the performer. Rather than creating a perfect copy of oneself, QUANTWIN examines the encounter with the “Other” and the emergence of new hybrid identities. Drawing on the many-worlds interpretation of quantum physics, the performance presents the robotic twin as a possible expression of an alternative reality, inviting the audience to reflect on identity, technology, and human-machine relationships. The premiere demonstrated how art, robotics, and philosophy can come together to open new perspectives on social robotics. Further information is available at icsr2026.uk and www.silkegrabinger.com.
The 18th International Conference on Social Robotics (ICSR + Art 2026) is currently taking place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to discuss the latest advances in social robotics. On the second day of the conference, researchers presented their latest work during the poster session, including Oliver Bendel’s paper „Kiss Me More: Artificial Lips for Intimate Encounters“. The title is a tribute to Doja Cat’s hit „Kiss Me More“, reflecting the paper’s focus on technology-mediated intimacy. The paper introduces the concept of the KissMachine, a next-generation telekissing device with artificial lips designed to enable more intimate remote interactions while addressing the technical, social, and ethical challenges of such technology. It also pays tribute to the Kissenger, invented by Hooman Samani in 2012, one of the pioneering telekissing systems that inspired subsequent research in this field. The exchange between Bendel and Samani highlighted both the evolution of telekissing technology over the past decade and the continuing interest in human-centered approaches to social robotics. Further information is available at icsr2026.uk.
Fig.: Oliver Bendel and Hooman Samani at ICSR 2026
The 18th International Conference on Social Robotics (ICSR + Art 2026) is currently taking place in London from July 1–4, bringing together researchers, academics, and industry professionals from around the world to discuss the latest advances in social robotics. On the second day of the conference, the CEO of Yukai Engineering introduced Mirumi, a wearable social robot designed to create small moments of emotional connection in everyday life. Covered in soft artificial fur, Mirumi clings to a bag strap with its arms and accompanies its owner, turning its head with a shy, curious expression when it hears sounds, is touched, or sometimes simply on its own. Rather than offering practical functions, it encourages spontaneous social interactions and often brings smiles to people nearby. Unlike rigid-bodied robots, Mirumi belongs to a new generation of soft robots, similar to Cupboo AI Robotic Pet, combining plush-like materials with expressive behavior. It can respond to sounds but does not understand speech or recognize words, demonstrating how simple, nonverbal interactions can strengthen human relationships. The live demonstration attracted considerable interest and highlighted the growing role of soft robotics in social robotics research. Further information is available at icsr2026.uk.
On July 1, 2026, the 18th International Conference on Social Robotics (ICSR + Art 2026) officially opened in London. Participants were welcomed by the General Chairs, Hooman Samani and Saina Akhond of the University of the Arts London, as well as by several robots, including the humanoid robot Ameca and the companion robot Lovot. Following registration and breakfast, the conference immediately moved into its scientific program with several parallel sessions. The Main Track Papers were presented in Conference Hall 1 (Beveridge Hall), while Special Sessions took place in Conference Hall 2 (Chancellor’s Hall). At the same time, authors of Short Papers introduced their work during the Teaser Talks in the Debate Hall (Senate Room). Held from July 1–4, 2026, ICSR is the leading international forum for researchers, academics, and industry professionals working in the field of social robotics. This year’s edition places a special emphasis on the intersection of social robotics and the arts, highlighting artistic and creative applications of robotic technologies. In addition to the technical program, the conference features the Robot Fringe Festival, the Grand Challenge, artistic performances, industry events, and numerous opportunities for networking and collaboration with leading researchers and practitioners from around the world. Further information is available at icsr2026.uk.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. This year’s conference combines cutting-edge research in social robotics with a unique focus on artistic and creative applications of robotics. One of the highlights of the conference will be the debate programme on 2 July 2026, which promises a day of lively discussions on some of the most important questions shaping social robotics, society, and the arts. The debates will explore themes ranging from education and healthcare to fashion, human-robot interaction research, and the future of the human body, bringing together researchers, practitioners, artists, and technologists from diverse backgrounds. Combining critical reflection with creative provocation, the programme encourages participants to rethink what social robots can be, what roles they might play, and how they may transform our societies in the future. And who says debates are only for humans? The programme even includes a social robot that will have the opportunity to answer back. Those interested in the full range of debate topics and participants can find further information at icsr2026.uk/debates/.
Fig.: Euclid will be there for the debate (Photo: ICSR)
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. Hosted at the University of London, this year’s conference is seeking enthusiastic volunteers to help deliver a dynamic international event at the intersection of robotics, society, and the arts. Volunteering offers a valuable opportunity to gain hands-on experience in organizing a major academic conference, connect with global experts, artists, and innovators, attend selected sessions showcasing cutting-edge developments in social robotics, and build essential organizational, communication, and teamwork skills. Ideal for undergraduate and postgraduate students as well as motivated individuals interested in social robotics or related fields, volunteer responsibilities include supporting registration, assisting with session coordination, guiding attendees, helping with technical presentations and demonstrations, and contributing to general event logistics. In return, volunteers will receive free conference access, a certificate of participation, and exceptional networking opportunities with leading professionals in the field. Applications are open now, with priority given to reliable candidates available throughout the full conference period and comfortable working in an international environment. The deadline to apply is 31 May 2026, with successful applicants notified in early June, and early applications are strongly encouraged. The application form and additional information can be found at: icsr2026.uk/volunteer/.
The paper „Kiss Me More: Artificial Lips for Intimate Encounters“ by Oliver Bendel has been accepted at ICSR + Art 2026. Kisses have different functions and meanings depending on culture, context, and partner; they can serve as a greeting, express gratitude, or be part of sexual interaction. When partners are separated but still wish to show affection, teledevices can offer a solution. Since 2011, several prototypes and products for remote kissing have been developed, including the Kissenger, a prototype created by Hooman Samani, to which the present work also pays tribute. Although these systems are already conceptually and technically advanced, there is still room for further development, especially with regard to intimacy and sexuality. The paper therefore formulates specific requirements and outlines possible implementations, resulting in the concept of the KissMachine, which is critically discussed with respect to its technical challenges and ethical implications. The 18th International Conference on Social Robotics will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics.
Fig.: An illustration of the KissMachine (not part of the paper) (Image: GPT Image 2)
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The finalists of the ICSR 2026 Grand Challenge have now been announced, showcasing an exciting and diverse range of innovative projects from researchers, artists, and interdisciplinary teams across the globe. This year’s finalists represent institutions from Europe, Asia, North America, and Australia, reflecting the international and creative spirit of the competition. The selected teams will present their work during the first day of the conference on 1 July 2026, with the results and awards to be announced on 3 July 2026. Finalists will also have the optional opportunity to demonstrate their projects during the conference. To support participation in the competition, ICSR offers a special reduced registration rate through the Grand Challenge Competition Finalists Pass, which grants access to the full conference; at least one registration per team is required, and each attendee must hold an individual registration. Further details regarding presentations and demonstrations will be communicated directly to finalists via email. For questions related to the ICSR Grand Challenge, participants may contact Prof. Laura Fiorini at laura.fiorini@unifi.it. A full list of finalists and additional information can be found at: icsr2026.uk/competition-finalists/.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. This year’s conference will feature three distinguished keynote speakers whose work is shaping the future of artificial intelligence, robotics, and human-robot interaction. Hatice Gunes, Professor of Affective Intelligence and Robotics at the University of Cambridge, is internationally recognised for her pioneering research on affective computing, multimodal intelligence, and socially aware AI systems, with a strong emphasis on ethics, fairness, and wellbeing in robotics. Jean Oh, Associate Research Professor at Carnegie Mellon University and Director of the roBot Intelligence Group, is known for her work on collaborative robots, social navigation, and creative physical AI, focusing on developing robots that learn, adapt, and work safely alongside humans in shared environments. Nicolas Heess, Research Scientist and Director at Google DeepMind, leads cutting-edge research on general-purpose robotics and embodied AI, exploring how advances in machine learning, perception, and motor control can bring intelligent robots into the physical world. Together, these keynote speakers represent the forefront of research and innovation driving the next generation of social robotics. Further information on the keynote programme is available at: icsr2026.uk/keynote/.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. For its 18th edition, the conference will present the special theme ICSR + Art, highlighting how robots can move beyond their conventional roles to become tools, partners, and co-creators within artistic and creative practices. At the same time, the conference remains open to the full breadth of social robotics research, including human–robot interaction, medical and assistive robotics, artificial intelligence and machine learning, ethics, design, education, and cultural applications. Accepted papers will be published in Springer’s Lecture Notes in Artificial Intelligence (LNAI) series and indexed in major academic databases. Due to current extenuating circumstances worldwide and following requests from several authors, the submission deadlines have been extended by a few additional days to allow additional time for final submissions. No further extensions of the submission deadlines are planned, and all submissions must follow the updated schedule. All deadlines are based on Anywhere on Earth (AoE) time. Authors who have already submitted a paper may use the extension to update their submission; if any difficulty occurs when modifying the existing entry in the system, the previous submission may be withdrawn and replaced with a new version. Updated dates are available at icsr2026.uk/dates/ and submission instructions can be found at icsr2026.uk/submission/.
Fig.: An inverted image of the Senate House (Photo: stevecadman/CC BY-SA 2.0)
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. For its 18th edition, the conference will present the special theme ICSR + Art, highlighting how robots can move beyond their conventional roles to become tools, partners, and co-creators within artistic and creative practices. At the same time, the conference remains open to the full breadth of social robotics research, including human-robot interaction, medical and assistive robotics, artificial intelligence and machine learning, ethics, design, education, and cultural applications. Accepted papers will be published in Springer’s Lecture Notes in Artificial Intelligence (LNAI) series and indexed in major academic databases. The conference programme will encompass regular papers, short papers, special sessions, a design and art competition, debates, the Robot Fringe live performance strand, and an Industry Day dedicated to emerging robotics and technology companies. Regular Papers for the main track must follow the submission guidelines provided on the conference website and be submitted via the Springer Meteor system by 6 March 2026. Contributions to Special Sessions should likewise follow the Regular Paper instructions and be submitted to the respective session. Short Papers must comply with the specific Short Paper guidelines and be submitted accordingly. The ICSR Design / Art Competition, proposals for debates, and submissions for the Robot Fringe live robotic performance programme are due by 15 March 2026. Early-stage robotics and technology companies wishing to showcase their work at the Industry Day may apply until 15 May 2026. Further details, submission instructions, and relevant links are available at icsr2026.uk.
The article „Small Talk with a Robot Reduces Stress and Improves Mood“ by Katharina Kühne, Antonia L. Z. Klöffel, Oliver Bendel, and Martin H. Fischer was published on December 23, 2025. It is part of the volume „Social Robotics + AI: 17th International Conference, ICSR+AI 2025, Naples, Italy, September 10–12, 2025, Proceedings, Part III.“ From the abstract: „Research has demonstrated that social support is crucial in mitigating stress and enhancing mood. Not only do long-term, meaningful relationships contribute to well-being, but everyday social interactions, such as small talk, also offer psychological benefits. As social robots increasingly become more integrated into daily life, they present a potential avenue for stress interventions. In our online study, 98 participants underwent a stress induction using the Stroop task and were then assigned to one of three conditions: engaging in scripted small talk with a simulated NAO robot online, listening to a neutral story told by the same NAO robot, or no intervention (control condition). Results indicate that both interventions effectively reduced stress, with a tendency towards a stronger effect in the Small talk condition. Small talk not only helped maintain positive affect but also reduced negative affect. Notably, the benefits were more pronounced among individuals experiencing higher acute stress following the stress induction, but were less evident in those with chronically elevated stress levels. Furthermore, the effect of the intervention on stress reduction was mediated by changes in positive affect. These findings suggest that small talk with a social robot may serve as a promising tool for stress reduction and affect regulation.“ The first author, a researcher from the University of Potsdam, presented the paper on September 12, 2025, in Naples. It can be downloaded from link.springer.com/chapter/10.1007/978-981-95-2398-6_1.
The article „Wearable Social Robots for the Disabled and Impaired“ by Oliver Bendel was published on December 23, 2025. It is part of the volume “Social Robotics + AI: 17th International Conference, ICSR+AI 2025, Naples, Italy, September 10–12, 2025, Proceedings, Part III.“ From the abstract: „Wearable social robots can be found on a chain around the neck, on clothing, or in a shirt or jacket pocket. Due to their constant availability and responsiveness, they can support the disabled and impaired in a variety of ways and improve their lives. This article first identifies and summarizes robotic and artificial intelligence functions of wearable social robots. It then derives and categorizes areas of application. Following this, the opportunities and risks, such as those relating to privacy and intimacy, are highlighted. Overall, it emerges that wearable social robots can be useful for this group, for example, by providing care and information anywhere and at any time. However, significant improvements are still needed to overcome existing shortcomings.“ The technology philosopher presented the paper on September 12, 2025, in Naples. It can be downloaded from link.springer.com/chapter/10.1007/978-981-95-2398-6_8.
