The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. Hosted at the University of London, this year’s conference is seeking enthusiastic volunteers to help deliver a dynamic international event at the intersection of robotics, society, and the arts. Volunteering offers a valuable opportunity to gain hands-on experience in organizing a major academic conference, connect with global experts, artists, and innovators, attend selected sessions showcasing cutting-edge developments in social robotics, and build essential organizational, communication, and teamwork skills. Ideal for undergraduate and postgraduate students as well as motivated individuals interested in social robotics or related fields, volunteer responsibilities include supporting registration, assisting with session coordination, guiding attendees, helping with technical presentations and demonstrations, and contributing to general event logistics. In return, volunteers will receive free conference access, a certificate of participation, and exceptional networking opportunities with leading professionals in the field. Applications are open now, with priority given to reliable candidates available throughout the full conference period and comfortable working in an international environment. The deadline to apply is 31 May 2026, with successful applicants notified in early June, and early applications are strongly encouraged. The application form and additional information can be found at: icsr2026.uk/volunteer/.
The paper „Kiss Me More: Artificial Lips for Intimate Encounters“ by Oliver Bendel has been accepted at ICSR + Art 2026. Kisses have different functions and meanings depending on culture, context, and partner; they can serve as a greeting, express gratitude, or be part of sexual interaction. When partners are separated but still wish to show affection, teledevices can offer a solution. Since 2011, several prototypes and products for remote kissing have been developed, including the Kissenger, a prototype created by Hooman Samani, to which the present work also pays tribute. Although these systems are already conceptually and technically advanced, there is still room for further development, especially with regard to intimacy and sexuality. The paper therefore formulates specific requirements and outlines possible implementations, resulting in the concept of the KissMachine, which is critically discussed with respect to its technical challenges and ethical implications. The 18th International Conference on Social Robotics will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics.
Fig.: An illustration of the KissMachine (not part of the paper)
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The finalists of the ICSR 2026 Grand Challenge have now been announced, showcasing an exciting and diverse range of innovative projects from researchers, artists, and interdisciplinary teams across the globe. This year’s finalists represent institutions from Europe, Asia, North America, and Australia, reflecting the international and creative spirit of the competition. The selected teams will present their work during the first day of the conference on 1 July 2026, with the results and awards to be announced on 3 July 2026. Finalists will also have the optional opportunity to demonstrate their projects during the conference. To support participation in the competition, ICSR offers a special reduced registration rate through the Grand Challenge Competition Finalists Pass, which grants access to the full conference; at least one registration per team is required, and each attendee must hold an individual registration. Further details regarding presentations and demonstrations will be communicated directly to finalists via email. For questions related to the ICSR Grand Challenge, participants may contact Prof. Laura Fiorini at laura.fiorini@unifi.it. A full list of finalists and additional information can be found at: icsr2026.uk/competition-finalists/.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of the conference programme, ICSR Industry Day will offer a dynamic platform connecting research and industry through a panel debate, a UKRI-led workshop, and a pitch session showcasing emerging robotics start-ups. A key highlight will be the panel discussion „There’s No Place Like Home: Exploring the Next Frontier for Social Robots“, taking place on Friday, 3 July from 2.30-4.00 pm. Bringing together leading voices from industry, the session will examine the growing interest in domestic environments as the next major market for social robotics. While companies increasingly envision robots supporting household tasks, personalised assistance, ageing-in-place, and companionship, the home presents unique challenges as a deeply personal and unpredictable setting where trust, privacy, and reliability are essential. Drawing on firsthand experience in deploying consumer robots, the panellists will discuss both the opportunities and the obstacles of integrating robots into everyday domestic life, addressing issues such as surveillance, dependency, social acceptance, and design limitations. The panel will feature Ira Renfrew, Co-Founder and Chief People Product Officer at Familiar Machines & Magic; Shunsuke Aoki, Founder of Yukai Engineering; Craig Allen, former Chief Creative Officer at Embodied (now Moxie Robots); and Samuel Ader, VP Growth & Supply at Cera (Genie Connect). The discussion will be moderated by Elizabeth Jochum. Together, the speakers will explore how thoughtful, human-centred innovation can help social robots earn a meaningful place in people’s homes and daily lives. Further information and registration details for the Industry Day panel are available at: icsr2026.uk/industry-day/.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. This year’s conference will feature three distinguished keynote speakers whose work is shaping the future of artificial intelligence, robotics, and human-robot interaction. Hatice Gunes, Professor of Affective Intelligence and Robotics at the University of Cambridge, is internationally recognised for her pioneering research on affective computing, multimodal intelligence, and socially aware AI systems, with a strong emphasis on ethics, fairness, and wellbeing in robotics. Jean Oh, Associate Research Professor at Carnegie Mellon University and Director of the roBot Intelligence Group, is known for her work on collaborative robots, social navigation, and creative physical AI, focusing on developing robots that learn, adapt, and work safely alongside humans in shared environments. Nicolas Heess, Research Scientist and Director at Google DeepMind, leads cutting-edge research on general-purpose robotics and embodied AI, exploring how advances in machine learning, perception, and motor control can bring intelligent robots into the physical world. Together, these keynote speakers represent the forefront of research and innovation driving the next generation of social robotics. Further information on the keynote programme is available at: icsr2026.uk/keynote/.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. For its 18th edition, the conference will present the special theme ICSR + Art, highlighting how robots can move beyond their conventional roles to become tools, partners, and co-creators within artistic and creative practices. At the same time, the conference remains open to the full breadth of social robotics research, including human-robot interaction, medical and assistive robotics, artificial intelligence and machine learning, ethics, design, education, and cultural applications. Accepted papers will be published in Springer’s Lecture Notes in Artificial Intelligence (LNAI) series and indexed in major academic databases. The conference programme will encompass regular papers, short papers, special sessions, a design and art competition, debates, the Robot Fringe live performance strand, and an Industry Day dedicated to emerging robotics and technology companies. Regular Papers for the main track must follow the submission guidelines provided on the conference website and be submitted via the Springer Meteor system by 6 March 2026. Contributions to Special Sessions should likewise follow the Regular Paper instructions and be submitted to the respective session. Short Papers must comply with the specific Short Paper guidelines and be submitted accordingly. The ICSR Design / Art Competition, proposals for debates, and submissions for the Robot Fringe live robotic performance programme are due by 15 March 2026. Early-stage robotics and technology companies wishing to showcase their work at the Industry Day may apply until 15 May 2026. Further details, submission instructions, and relevant links are available at icsr2026.uk.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of the conference program, Robot Fringe 2026 offers a dedicated platform for experimental, daring, and imaginative ideas, presented on a performance stage within the supportive and inclusive environment of ICSR+ART 2026 (icsr2026.uk/robot-fringe/). Drawing inspiration from the Edinburgh Festival Fringe – the world’s largest performing arts festival and the origin of a global tradition of fringe and off-festivals celebrating unconventional and small-scale performances (www.edfringe.com) – Robot Fringe embraces creative risk-taking and non-traditional formats across artistic and technological practices. The variety show will take place on the evening of Thursday 2 July at Senate House in London and runs in conjunction with ICSR+ART 2026. The program is curated and hosted by researcher-comedians Heather Knight and Piotr Mirowski. Further information and submission details are available via the ICSR submission page (icsr2026.uk/submission/) and the Robot Fringe website (www.robotfringe.com).
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The conference has now opened its submission system, and full details can be found on the official ICSR 2026 submission page (icsr2026.uk/submission). Authors are invited to submit to a range of categories. Regular Papers for the Main Track should follow the guidelines provided on the conference website and be submitted by 15 February 2026. Special Session submissions follow the same Regular Paper instructions but are directed to individual sessions listed on the Special Sessions page. Short Papers follow their own dedicated instructions and are submitted through the same system. Competitions and Debates each have their own portals, with submissions due by 1 March 2026. Additional tracks such as the Robot Fringe and Travel Grants will be announced soon. All submission links and instructions are clearly detailed on the ICSR 2026 submission page, ensuring authors have everything they need to prepare their contributions for this major event in social robotics.
Fig.: The Senate Building (Photo: John Lord, CC BY-SA 2.0)
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of this edition, ICSR 2026 will host a series of live debates in the Debate Room (Senate Room), addressing pressing questions about social robots in society and culture. Debate proposals may focus on conceptual, ethical, scientific, artistic, practical, or societal aspects of social robotics and should connect broadly to the conference topics listed aticsr2026.uk/topics/. Submissions are open to contributors from social robotics, HRI, the arts, design, engineering, the humanities, and related areas, with interdisciplinary proposals particularly encouraged. Formats may include two-sided or multi-position debates, panel discussions, performative debates, or audience-engaged formats. In a nod to British debating traditions, participants are encouraged to wear academic gowns. Proposals are submitted viaicsr2026.uk/debate-proposal, with a submission deadline of 1 March 2026 and notification of acceptance by 15 April 2026.
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of this edition, the ICSR 2026 Competition invites visionary concepts and prototypes for social robots that collaborate, care, and connect with people beyond the laboratory. Designers, engineers, artists, researchers, and pupils or students (school, college, and university) are invited to submit projects ranging from functional solutions to artistic or hybrid works. The competition features two categories: the Robot Design Competition, focusing on innovation in functionality, interaction, and application; and the Robot Art Competition, highlighting creative fusions of fashion, art, performance, and robotics. Hybrid projects may apply to both awards. Each entry must be described in a summary of up to two pages (preferably following Springer LNAI formatting), including an abstract of no more than 50 words and sufficient detail to judge novelty and impact. A single optional video link (maximum three minutes) and images or renderings are encouraged. Submissions should indicate whether they apply for the Design Award, the Art Award, or both, and be uploaded via the competition form at: icsr2026.uk/competition/. The competition submission deadline is 1 March 2026; finalists will be notified on 15 April 2026, and winners will be announced on 3 July 2026 during the closing ceremony of ICSR 2026.
Fig.: Competitions are also held at Wembley Stadium
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The conference is accepting workshop proposals until the workshop submission deadline. Approved workshops will be announced 2 weeks after the submission deadline. The deadline for submitting proposals for workshops is 1 December 2025. Further information is available at icsr2026.uk.
Fig.: Inside the Senate House (Photo: stevecadman/CC BY-SA 2.0)
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. This year’s edition will be hosted at Senate House, part of the University of London, located in the heart of central London. The venue is within walking distance of many of the city’s main attractions and stations. Senate House has appeared in several famous films and series, including „Batman Begins“, „The Dark Knight Rises“, „Fast & Furious 6″, „No Time to Die“ (a James Bond film), „Nineteen Eighty-Four“, and the Netflix series „The Crown“. The building inspired George Orwell’s depiction of the Ministry of Truth in „1984″. Further information is available at icsr2026.uk.
Fig.: The famous Art Deco building (Photo: stevecadman/CC BY-SA 2.0)
In London strömen die Fans seit Mai 2022 zur ABBA-Show Voyage und zu den darin auftretenden ABBAtaren. Manche sind 70, 80 Jahre alt und mit dem Rollator unterwegs. Andere sind jung und kennen ABBA vor allem über die Filme („Mamma Mia!“ von 2008 und „Mamma Mia! Here We Go Again“ von 2018). Man hat Agnetha, Björn, Anni-Frid und Benny wochenlang ihre Songs vortragen lassen und dabei ihre Bewegungen beim Tanzen und ihre Emotionen beim Singen erfasst. Vor allem hat man Motion Capture verwendet. Die Gesichter wurden anschließend digital verjüngt. Und offensichtlich auch die Körper, die zum Teil unnatürlich dünn wirken, vor allem die Beine der Frauen. Überhaupt verfügen diese über perfekte Figuren und Hintern, und sie beherrschen Moves, die modern wirken – man hat die Bewegungen junger Tänzer und Tänzerinnen hinzugenommen. Die Avatare erscheinen in der Mitte der Bühne. Man macht das in diesem Falle mit riesigen Bildschirmen, Spiegeln und anderen Hilfsmitteln. Die Avatare sollen aussehen wie Hologramme, also eine Präsenz im Raum haben. Es ist sozusagen keine physische Präsenz wie bei Robotern, sondern eine virtuelle. Die Wirkung der Show ist von Anfang an enorm. Das Publikum, das sich auf Dance Floor und Sitzreihen in der ABBA-Arena (engl. „ABBA Arena“) verteilt, jubelt, lacht und weint. Spätestens bei „Dancing Queen“ ist man im ekstatischen Tanz vereint. Reifere Frauen denken vielleicht an ihre vergangene Jugend, ältere Männer an ihre verflossene Jugendliebe. Überhaupt ging es immer wieder um Unsterblichkeit und Vergänglichkeit, um Sein und Schein – „to be or not to be“, wie Benny an einer Stelle deklamierte. Oliver Bendel veröffentlichte 2001 im „Lexikon der Wirtschaftsinformatik“ den Beitrag „Avatar“ und 2019 im Springer-Buch „AI Love You“ (2019) den Beitrag „Hologram Girl“ – wo die damals geplante ABBA-Show bereits erwähnt wird.
Bei Deutschlandfunk Kultur sprach am frühen Morgen des 27. Mai 2022 der Moderator Dieter Kassel mit Prof. Dr. Oliver Bendel über die ABBA-Show Voyage in London und die ABBAtare. Diese speziellen Avatare wurden mit hohem Aufwand generiert. Man hat Agnetha, Björn, Anni-Frid und Benny wochenlang ihre Songs vortragen lassen und dabei ihre Bewegungen beim Tanzen und ihre Emotionen beim Singen erfasst. Vor allem hat man Motion Capture verwendet. Die vier wurden in spezielle Ganzkörperanzüge gesteckt, auf denen Marker befestigt sind. Zudem wurde die Mimik aufgezeichnet, vor allem, um die Emotionen zeigen zu können. 160 Kameras haben von allen Seiten gefilmt. Die Gesichter wurden anschließend digital verjüngt. Und offensichtlich auch die Körper. Die Avatare erscheinen in der Mitte der Bühne. Man macht das in diesem Falle mit riesigen Bildschirmen, Spiegeln und anderen Hilfsmitteln. Die Avatare sollen aussehen wie Hologramme, also eine Präsenz im Raum haben. Es ist sozusagen keine physische Präsenz wie bei Robotern, sondern eine virtuelle. In London tritt eine Band auf, die ABBA ist und doch nicht ABBA ist. Man könnte sogar sagen, dass die ABBAtare die Songs der Originale covern. Es handelt sich um Playback, aber die Avatare entwickeln ein Eigenleben. Björn hat dazu gesagt: „Ich sehe diesen jungen Typen auf dem Bildschirm und habe das Gefühl, der hat eine eigene Persönlichkeit. Das bin ich. Aber da ist auch noch etwas anderes.“ (Südkurier, 26. Mai 2022) Oliver Bendel veröffentlichte 2001 im „Lexikon der Wirtschaftsinformatik“ den Beitrag „Avatar“ und 2019 im Springer-Buch „AI Love You“ (2019) den Beitrag „Hologram Girl“ …
In love and sex, the voice is a decisive factor. It not only matters what is said, but also how it is said. Pitch, volume and personal expression are important to attract and retain potential partners. The same goes for sex robots and love dolls, and is true for chatbots and virtual assistants with sexual orientation as well. If you are not working with ordinary recordings, they all need artificial voices (if you decide to use voices at all). The synthetization of voices, or speech synthesis, has been an object of interest for centuries. Today, it is mostly realized with a text-to-speech system (TTS), an automaton that interprets and reads aloud. This system refers to text which is available for instance in a knowledge base or on a website. Different procedures have been established to adjust the artificial voice. A recently published article by Oliver Bendel examines how the Speech Synthesis Markup Language (SSML) can be used for sex robots and love servants. Existing tags, attributes and values are categorized in the present context and new ones are proposed to support the purpose of the special machines. In addition, a short ethical discussion takes place. The article „SSML for Sex Robots“ is part of the new Springer book „Love and Sex with Robots“ …
Fig.: The artificial voices of love dolls and sex robots must be specially designed
Der „Third International Congress on Love and Sex with Robots“ fand am 19. und 20. Dezember 2017 im Norden von London statt, in einer großen, kalten Halle mit einer mäßigen technischen Infrastruktur. Die University of London hatte sich der Veranstaltung offiziell schon im Vorjahr verweigert. Wegen einer mutigen Wissenschaftlerin hatte man dann doch am Goldsmiths tagen können, an der berühmten Kunsthochschule, die zur University of London gehört. Dieses Mal war auch das nicht möglich. Angeblich hatte man Angst vor islamistischem Terror. Tatsächlich hatte die Polizei eine Warnung herausgegeben. Es fand sich durch das persönliche Engagement der Veranstalter die erwähnte Halle. Die Teilnehmerinnen und Teilnehmer mussten leuchtend rote Armbänder tragen, um jederzeit vom Sicherheitsdienst erkannt zu werden. Dass eine internationale Konferenz wegen Terrorgefahr (oder Angst vor Sex) sozusagen in den Untergrund muss, war Zeitungen und Sendern kaum eine Meldung und Hochschulen keine Solidaritätsbekundung wert. Am ersten Tag hielt Dr. Kathleen Richardson einen Vortrag, am zweiten Dr. David Levy. Das ganze Programm kann hier eingesehen werden.
Abb.: Die LSR in London musste im Untergrund stattfinden
Der „Third International Congress on Love and Sex with Robots“ findet am 19. und 20. Dezember 2017 in London statt. In einer Information vom 8. Juni 2017 heißt es: „Within the fields of Human-Computer Interaction and Human-Robot Interaction, the past few years have witnessed a strong upsurge of interest in the more personal aspects of human relationships with these artificial partners. This upsurge has not only been apparent amongst the general public, as evidenced by an increase in coverage in the print media, TV documentaries and feature films, but also within the academic community. The International Congress on Love and Sex with Robots provides an excellent opportunity for academics and industry professionals to present and discuss their innovative work and ideas in an academic symposium.“ (Information LSR 2017, 8. Juni 2017) Papers sollen mindestens sieben Seiten umfassen und sich Themen wie „Entertainment Robots“, „Robot Personalities“, „Teledildonics“ und „Intelligent Electronic Sex Hardware“ widmen. Auch Informations- und Roboterethik sind mögliche Perspektiven. Das Buch mit den Beiträgen der letzten Konferenz ist Ende April 2017 bei Springer erschienen. Weitere Informationen über loveandsexwithrobots.org.
Abb.: Im Jahre 2016 fand die LSR am Goldsmiths statt
Die Konferenz im Dezember 2016 an der University of London (Goldsmiths) mit dem Titel „Love and Sex with Robots“ hat ein enormes internationales Echo ausgelöst. Insbesondere in den englischen und amerikanischen Boulevardmedien wurden Aussagen der Referenten verdreht und verfälscht. Was sie wirklich gesagt und gemeint haben, lässt sich nun schwarz auf weiß nachlesen. Ende April 2017 ist das Buch „Love and Sex with Robots“ bei Springer herausgekommen, in der Reihe „Lecture Notes in Artificial Intelligence“. Aus dem Klappentext: „This book constitutes the refereed proceedings of the Second International Conference on Love and Sex with Robots 2016 in December 2016, in London, UK. The 12 revised papers presented together with 1 keynote were carefully reviewed and selected from a total of 38 submissions. … The topics of the conferences were as follows: robot emotions, humanoid robots, clone robots, entertainment robots, robot personalities, teledildonics, intelligent electronic sex hardware, gender approaches, affective approaches, psychological approaches, sociological approaches, roboethics, and philosophical approaches.“ (Klappentext) Beiträge stammen u.a. von David Levy, Emma Yann Zhang und Oliver Bendel. Das Buch kann hier bestellt werden.
Der internationale Kongress „Love and Sex with Robots“ startete am 19. Dezember 2016 mit einem Vortrag von Oliver Bendel. In der Professor Stuart Hall von Goldsmiths, University of London, versammelten sich zahlreiche interessierte Wissenschaftler und Journalisten. Die erste Keynote hielt Kate Devlin (Department of Computing at Goldsmiths, University of London). Der erste Kongress der Reihe fand 2014 auf Madeira statt, der zweite war für Malaysia geplant, wurde aber von den dortigen Behörden verboten. Oliver Bendel führte am 19. Dezember Interviews mit SWR2, SWR3, Deutschlandradio Kultur, WDR und ARD. Das Interview mit dem WDR liegt in schriftlicher Form vor, unter dem Titel „Können wir eines Tages Roboter lieben?“ Im Teaser heißt es: „Liebespuppen gab es schon in der Antike. Mit moderner Technik können wir sie heutzutage zum Leben erwecken. Doch wie gehen wir mit Sex-Robotern um? Und was, wenn diese Maschinen eines Tages ein Bewusstsein entwickeln?“ (Website WDR) Am 20. Dezember wurde die Konferenz zu Ende geführt. Weitere Informationen über loveandsexwithrobots.org.
